It’s coming, whether you like it or not.
But to while away the time leading up to it, I’ve been trying to think of literary memories, from a personal point of view, to better engage with this extravagant festival.
One of the things I do remember is from when I was living in London in the ’80s. I had just left a well-paid job in a library to study on a post-graduate printing and publishing course. I also owned an Adana Press and was trying to print a small booklet of my poems on it.
In case you don’t know (and why should you?), the Adana was a tiny printing press ideal for letterpress printing, using proper metal type all squidged by hand into a metal frame.
Once the frame was locked in the press you inked a metal disc (again by hand – everything on the Adana was done by hand), and with one pull of a handle the ink would be taken off the disc, transferred to two thin rollers, thence onto the surface of the type and impressed, all in the same action, onto a single sheet of paper or card..
Madness! But ideal for printing very small runs of business cards, letterheads etc. Which was what I was mostly using it for. The booklet was a step too far, but at the time I was very much into the craft aspect of print.
Laid paper, hand stitching, letterpress – fashioning a unique object, invested with the energy and attention of one person. William Morris eat your heart out.
Totally useless way to make money.
Perhaps that’s why I liked it.
The booklet never got properly bound, but I did print and circulate some rough copies. I did it more for the experience I suppose, but I also used the Adana for another purpose: to print poem cards. And distribute them at Christmas (can you tell I was a bit skint at the time?).
The one that sticks in my mind featured a poem by Thomas Hardy – The Oxen.
I didn’t really like Hardy then, preferring Ted Hughes, Yeats and others, but it was one of the few Christmas poems that resonated with me. It’s reproduced below. I won’t interpret it for you, as poetry is a subjective thing, but it was well received by my relatives and friends. I even printed a lino-cut on the other side.
Sadly none of them remain (the cards not the relatives), nor do any of the booklets. Although I do have some copies of an erstwhile fiction magazine I edited, printed (I had a bigger A3 press by then) and published, called Inverse. Maybe, one day, a collector’s item…
Anyway, enough of me, what about you? What literary pieces do you personally associate with Christmas?
It would be nice to know, and while I don’t particularly enjoy the festival or its sentiments, it’s a good excuse for a break at least.
Not that I really NEED one of those.
So feel free to email me or the rest of the Write Now! list with your own memories and/or reflections. I’d like to include them in the next Newsletter, which will save you all from hearing more about me.
Here’s the poem. I love it.
The Oxen
Christmas Eve, and twelve of the clock.
“Now they are all on their knees,”
An elder said as we sat in a flock
By the embers in hearthside ease.
We pictured the meek mild creatures where
They dwelt in their strawy pen,
Nor did it occur to one of us there<
To doubt they were kneeling then.
So fair a fancy few would weave
In these years! Yet, I feel,
If someone said on Christmas Eve,
"Come; see the oxen kneel
"In the lonely barton by yonder coomb
Our childhood used to know,"
I should go with him in the gloom,
Hoping it might be so.
Thomas Hardy
Most enjoyable post. Hand crafted poem cards. You should do them again. I’m not very religious (!) but nevertheless I still love this tremendous piece of verse:
Christmas by John Betjeman
The bells of waiting Advent ring,
The Tortoise stove is lit again
And lamp-oil light across the night
Has caught the streaks of winter rain
In many a stained-glass window sheen
From Crimson Lake to Hookers Green.
The holly in the windy hedge
And round the Manor House the yew
Will soon be stripped to deck the ledge,
The altar, font and arch and pew,
So that the villagers can say
‘The church looks nice’ on Christmas Day.
Provincial Public Houses blaze,
Corporation tramcars clang,
On lighted tenements I gaze,
Where paper decorations hang,
And bunting in the red Town Hall
Says ‘Merry Christmas to you all’.
And London shops on Christmas Eve
Are strung with silver bells and flowers
As hurrying clerks the City leave
To pigeon-haunted classic towers,
And marbled clouds go scudding by
The many-steepled London sky.
And girls in slacks remember Dad,
And oafish louts remember Mum,
And sleepless children’s hearts are glad.
And Christmas-morning bells say ‘Come!’
Even to shining ones who dwell
Safe in the Dorchester Hotel.
And is it true,
This most tremendous tale of all,
Seen in a stained-glass window’s hue,
A Baby in an ox’s stall ?
The Maker of the stars and sea
Become a Child on earth for me ?
And is it true ? For if it is,
No loving fingers tying strings
Around those tissued fripperies,
The sweet and silly Christmas things,
Bath salts and inexpensive scent
And hideous tie so kindly meant,
No love that in a family dwells,
No carolling in frosty air,
Nor all the steeple-shaking bells
Can with this single Truth compare –
That God was man in Palestine
And lives today in Bread and Wine.